BLINK MAGAZINE 블링크 매거진

Index of Featured Artists

blinkmag — Sat, 25 Apr 2026 19:45:11 +0900

An alphabetical archive of artists featured across BLINK Magazine’s 54 printed issues, currently being restored and updated.

#
&Walsh

A
Achim Lippoth
Aisha Zeijpveld
Aitch
Aki Inomata
Alain Delorme
Alberto Moreu
Ale Giorgini
Aleksandra Waliszewska
Alena Jascanka
Alex Gross
Alex Kisilevich
Alex Prager
AlexandFelix
Alexandra Von Fuerst
Allison Morris
Almagul Menlibayeva
Amanda Jasnowski
Amanda Rowan
Amy Elkins
Andrea Olivo
Andres Serrano
Andrew B. Myers
Andrew Kovalev
Aneta Bartos
Angela Deane
Anja Niemi
Ann Woo
Anna Friemoth
Annelie Vandendael
Anoek Steketee
Anthony Gerace
Antoine Bruy
Ariko Inaoka
Aris Jerome
Arnaud Lajeunie
Arvida Byström
Ashley Sophia Clark
Awol Erizku
Ayoung Kim

B
Bára Prášilová
Barbora Žůrková & Radim Žůrek
Barbara Ciurej & Lindsay Lochman
Baudouin
Beinta á Torkilsheyggi
Bela Borsodi
Ben Rayner
Bence Bakonyi
Benedict Morgan
Bettina Rheims
Billy & Hells
Birthe Piontek
Bobby Doherty
Brest Brest Brest
Brian Finke
Brian Pescador
Brian Vu
Brooke DiDonato
Bruno Bisang
Bubi Canal

C
Caitlin Shearer
Can Dağarslani
Carlos Alvarez Montero
Carl Kleiner
Carla van de Puttelaar
Caro Siegl
Cécile Decorniquet
Chen Jiagang
Chris Anthony
Christian Chaize
Christopher Peun
Cig Harvey
Clara Nebeling
Claudia Imbert
Claudine Doury
Clémence Veilhan
Cooper & Gorfer
Corey Arnold
Cornelia Hediger
Cybele Malinowski
Cynthia Greig

D
Damien Fry
Dana Trippe
Daniel Gebhart de Koekkoek
Daniel Gordon
Daniel Scott
Dario Catellani
David Favrod
David Kretschmer
David Stewart
Dean West
Deborah Paauwe
Delaney Allen
Denise Grünstein
Desiree Pfeiffer
Diana Kingsley
Diana Scherer
Diane Meyer
Dido Fontana
Diego Moreno
Dominic Hawgood

E
Eddie Chacon
Elena Kholkina
Elena Montemurro
Elene Usdin
Ellen von Unwerth
Elle Muliarchy
Elza Jo
Emman Montalvan
Emma Kisiel
Emily Stein
Erika Larsen
Ernesto Artillo
Erwin Olaf
Estelle Hanania
Étienne Saint-Denis
Eva O’Leary & Harry Griffin
Eva van’t Loo
Evgenia Arbugaeva
Evelyn Bencicova

F
Fabian Unternährer
Fabrice Fouillet
Fat & Furious Burger
Florent Tanet
Floto+Warner
Formento+Formento
Francesca Ferrari

G
Gillian Hyland
Guia Besana
Guillaume Herbaut
Gustavo Lacerda

H
Helene Schmitz
Henk Wildschut
Hisaji Hara
Holly Andres
Hudson Hayden
Hugh Holland

I
Irina Werning
Isabelle Chapuis & Duy Anh Nhan Duc
Isabelle Wenzel
Izima Kaoru
Izumi Miyazaki

J
Jackie Nickerson
Jacqui Stockdale
Jasper White
Jean-François Lepage
Jee Young Lee
Jeff Bark
Jeff Hahn
Jeleza Rose
Jennifer Garza-Cuen
Jens Stoltze
Jess Bonham
Jessica Haye & Clark Hsiao
Jessica Wolfelsperger
Ji Yeo
Jiehao Su
Jill Greenberg
Jin Ju Lee
Johnny Cobalto
Joan Cornellà
Joanne Leah
João Canziani
Jocelyn Lee
Johan Willner
Jola Skora
Julia Fullerton-Batten
Julia Peirone
Juliana Paciulli
Juul Kraijer

K
Kahn & Selesnick
Karen Hsiao
Kate Peters
Kate Sweeney
Kevin Van Aelst
Koen Hauser
Kristina Podobed
Kyung Soo Kim

L
Laura Garcia Serventi
Lauren Poor
Leonce Raphael Agbodjélou
Leuba Namsa
Lilia Luganskaia
Lilli Waters
Lily Padula
Lin Zhipeng
Lola Guerrera
Loreal Prystaj
Lori Nix
Lottie Davies
Lucas Foglia
Lucia Giacani
Lukasz Wierzbowski
Luo Yang
Lydia Panas

M
Magdalena Kmiecik
Magdalena Wosinska
Maleonn
Manjari Sharma
Marc Lathuilliere
Marc Van Dalen
Marco van Duyvendijk
Marcos López
Margo Ovcharenko
Marilène Coolens & Lisa De Boeck
Marie Hudelot
Marie Rime
Marir Benattar
Marius Sperlich
Marla Rutherford
Maron Perlaki
Marta Lamovsek
Martin Bogren
Martin Parr
Mat Szwarjkos
Matt Henry
Max de Esteban
May Xiong
Megan Doherty
Mehryl Levisse
Mel Karch
Michal Pudelka
Micah Lidberg
Michelle Kingdom
Michelle Pedone
Miles Aldridge
MissBean
Monica Menez
Monika Merva
Mous Lamrabat

N
Nadja Bournonville
Nandan Ghiya
Nathalia Edenmont
Natalie Krick
Nathan Perkel
Natsumi Hayashi
Nick Ballon
Nicola Kuperus
Nico Krijno
Nicol Vizioli
Nicole Robson
Nienke Klunder
Nishino Sohei
Noelle McCleaf
Noriko Yabu

O
Olaf Breuning
Olaf Martens
Olga Cafiero
Olivier Valsecchi
Olivia Locher
Olivia Malone
Osang Gwon
Ozawa Tsuyoshi

P
Paula Duró
Pawel Fabjański
Peng & Chen
Peter Hapak
Peter Kaadan
Petrina Hicks
Phillip Toledano
Photographer Hal
Piczo
PUTPUT
Puzzleman Leung

Q
Quentin Shih

R
Rachel de Joode
Rachel Perry Welty
Rachel Stern
Rafael D’Alo
Rajni Perera
Randy Grskovic
Rebekah Campbell
René & Radka
Ren Hang
Richard Mosse
Robyn Cumming
Robyn Twomey
Roger Weiss

S
Sander Dekker
Sandro Giordano
Sara Cwynar
Sara Lorusso
Sarah Small
Sasaki Kanako
Sasha Chaika
Scarlett Hooft Graafland
Shae DeTar
Shawn Rocco
SHSadler
Sofie Knijff
Sophie Ebrard
Sophie van der Perre
Spencer Murphy
Stefan Ruiz
Stefanie Schneider
Stephan Würth
Stephen Gill
Suzanne Jongmans
Suzanne Opton
Synchrodogs

T
Tabitha Soren
Tamara Dean
Tamas Dezso
Tereza Vlckova
Tereza Zelenkova
The Gay Beards
The Taable
Thomas Albdorf
Thomas Brown
Thomas Gardiner
Thomas Jackson
Thomas Rousset
Thomas Rusch
Tim Walker
Titus Simoens
Todd Baxter
Todd Hido
Tony Kelly
Trey Wright

V
Vaka Valo
Valentin Leonida
Valeria Cherchi
Valérie Belin
Van Sarki
Vee Speers
Vijat Mohindra
Viktoria Sorochinski

W
Ward Roberts
Wayne Lawrence
Wendy van Santen
Wilkosz & Way

Y
Yael Malka
Yang Yongliang
Yann Gross
YeonJu Sung
Yoram Roth
Yossi Loloi
Yuyi John

Z
Zed Nelson
Zoe Hawk

블링크 매거진 28호 BLINK Magazine Issue 28

blinkmag — Thu, 23 Apr 2026 12:53:36 +0900

Specifications

Front Cover by Erwin Olaf

ISSN 2234-6724

Color offset print

Premium paper 300gsm (cover)

Matte coated paper 180gsm

Limited to 1,000

copies 21 × 29.7 cm

100 pages

No ads

Published on September 30, 2013

Featured Artists

Amanda Jasnowski

Ariko Inaoka

Elle Muliarchyk

Erwin Olaf

Florent Tanet

Francesca Ferrari

Henk Wildschut

João Canziani

Lori Nix

Randy Grskovic

Stefan Ruiz

BLINK Magazine Issue 28 is a limited-edition photography magazine featuring a front cover by Erwin Olaf and works by Amanda Jasnowski, Ariko Inaoka, Elle Muliarchyk, Florent Tanet, Francesca Ferrari, Henk Wildschut, João Canziani, Lori Nix, Randy Grskovic, and Stefan Ruiz. Published on September 30, 2013, this issue was produced in a limited run of 1,000 copies and printed without advertisements, allowing the focus to remain entirely on the featured artists and photographic works. Printed in color offset on premium 300gsm cover stock and 180gsm matte coated paper, BLINK Magazine Issue 28 consists of 100 pages in a 21 × 29.7 cm format. This collectible independent photography magazine offers a carefully curated selection of contemporary photography and visual storytelling for readers, collectors, and art magazine enthusiasts.

Sample Spreads

(Due to online content regulations, some works cannot be displayed in full on this website.)

블링크 매거진 28호는 Erwin Olaf의 작품이 커버를 장식한 한정판 독립 사진 매거진으로 Amanda Jasnowski, Ariko Inaoka, Elle Muliarchyk, Florent Tanet, Francesca Ferrari, Henk Wildschut, João Canziani, Lori Nix, Randy Grskovic, Stefan Ruiz의 작품을 함께 소개한다.

상세 정보

ISSN 2234-6724

컬러 오프셋 인쇄

커버지 300gsm

내지 180gsm 무광 코팅지

1000부 한정

21 × 29.7 cm

100페이지

BLINK MAGAZINE features the latest exhibitions and artists in the international spotlight.

블링크 매거진은 해외전시동향에 맞춰 현재 가장 주목받고 있는 작가들의 작업을 엄선하여 싣고 있습니다.

"BLINK is a very important publication, beautifully designed and reproduced. A must for anyone following the current mood and trends in contemporary photography." - Miles Barth (Senior Specialist, Photographs at artnet Auctions)

About the Publisher

blinkmag — Thu, 9 Apr 2026 13:10:38 +0900

Kim Aram
Founder of BLINK magazine

Kim is the founder of BLINK magazine, an independent art publication launched in 2010.

Her publishing story has been featured in interviews and articles by internationally recognized magazines and newspapers. Alongside BLINK, she has given lectures and workshops for university art students, and has worked across exhibition planning, critique, judging, and portfolio reviews. She also develops, publishes, and designs photography books and artist publications.

Her experience includes serving as a reviewer for NYCFotoWorks Portfolio Review, Stockholm Photography Week at Fotografiska in Sweden and Mt. Rokko International Photo Festival, as well as a judge for Chromatic Photography Awards, Photogrvphy Grant, Fine Art Photography Awards, PDN Photo Annual and PDNEdu Student Photo Contest.

She also worked as a creative liaison, identifying and sourcing artists for advertising and promotional projects, matching them to the needs of each project and coordinating communication throughout the process at Cheil Worldwide and INNOCEAN Worldwide.

Contact

www.linkedin.com/in/kimaram
editor.kim.aram@gmail.com

www.instagram.com/blinkmag

BLINK MAGAZINE features the latest exhibitions and artists in the international spotlight.

블링크 매거진은 해외전시동향에 맞춰 현재 가장 주목받고 있는 작가들의 작업을 엄선하여 싣고 있습니다.

IDEA magazine 373 - Post Independent Magazine

blinkmag — Thu, 9 Apr 2026 06:03:37 +0900

Direction: IDEA Editorial Dept.
Design: Toshimasa Kimura

Today, it is as easy to upload images to websites in order to produce a zine as it is to
create a custom tee shirt or a customized mobile device case. These magazines are not based
on just-in-time production solutions. They are different — they raise the printing costs, curate
the editorial content, and each has an individual approach to design, as well as a singular
cultural perspective. This comprehensive approach to production — this folding-in of creative
labor — is in itself a special claim.

01 Agapornis Magazine
http://www.agapornismag.com/
02 BLINK
http://www.blinkreflex.com/
03 chic
http://chic-magazine.jp/
04 Club Donny
http://www.clubdonny.com/
05 Dirty Furniture
http://dirty-furniture.com/
06 Gazzazapzi
http://www.gazzazapzi.com/
07 Gratuitous Type
http://gratuitoustype.com/
08 MacGuffin
http://www.macguffin.nl/
09 MASSAGE
http://themassage.jp/
10 NOT TODAY
http://www.nottodaymag.com/
11 PAN
http://pan-mag.tumblr.com/
12 Ponytale
http://www.ponytale-stories.com/
13 Print Isn’t Dead
http://www.printisntdeadmag.co/
14 RE-VISION
http://www.re-visionmagazine.com/
15 Recens Paper
http://recenspaper.com/
16 TOO MUCH Magazine
http://www.toomuchmagazine.com/
17 USCA
https://twitter.com/dioramabooks
18 Works That Work
https://worksthatwork.com/

Interview: Charlotte Cheetham, Shannon Michael Cane
Text: Independent magazines I’ve seen over time (Futoshi Miyagi)
Text: Japanese Translations in booklets

www.idea-mag.com/en/idea_magazine/373

블링크 매거진 구독 안내

blinkmag — Thu, 9 Apr 2026 01:15:56 +0900

블링크 매거진 구매를 원하시면 아래 계좌를 이용해 주세요.

국민은행 231-24-0414-349 예금주 김아람

입금 후 다음 메일 주소로 주문 정보를 보내주시면 됩니다.

editor.kim.aram@gmail.com

메일에는 아래 내용을 꼭 포함하셔야 합니다.

원하는 호수

입금자 성함

받으실 분 성함

받으실 주소

전화번호

배송비는 3,000원 별도이며 3권 이상 구매 시 무료배송입니다.

입금과 메일이 모두 확인되면 주문이 접수되며 확인 메일이 발송됩니다.

10권 이상 구매 시에는 별도의 할인 혜택을 받으실 수 있습니다.

Open for Submissions

blinkmag — Wed, 8 Apr 2026 19:41:52 +0900

If you are an artist, gallerist or curator with work you believe deserves to be seen, you are welcome to send it to editor.kim.aram@gmail.com

BLINK Magazine began as a print-based publication, but we have always believed that the world holds more remarkable artists and works than any single format can contain. Over the years, BLINK has featured numerous renowned artists, including Tim Walker, Nobuyoshi Araki, Bettina Rheims, Ellen von Unwerth, Erwin Olaf, Alex Prager, Martin Parr, Roger Ballen, Viviane Sassen, Pieter Hugo, Ren Hang, and many others.

Connected to an expansive international network of galleries, curators, art directors, artists, collectors, art reps, and other influential voices in contemporary art, BLINK reaches an audience predominantly composed of creative professionals, including photographers, editors, art buyers, photo reps, fashion designers, film directors, curators and other cultural decision-makers.

We continue to bring selected artists and their works into view through our regular newsletters, and are frequently approached by art professionals seeking curatorial collaborations, project proposals, or introductions to artists. This reflects the trust BLINK has cultivated over the years.

To be featured in BLINK is more than a moment of visibility. It is an opportunity for your work to enter a wider conversation and reach those who shape the field. While our foundation remains in print, we are equally committed to expanding BLINK through digital space, embracing online platforms as a way to discover, support and introduce even more outstanding artists and works.

Please include your portfolio website and social media accounts so I can take a broader look at your practice. You may also share a short introduction, current exhibitions, upcoming projects, publications or installation views.

As each submission is reviewed with care, this process may take time, and we may not be able to reply to every message. BLINK Magazine deeply values your practice and looks forward to seeing more of your work in the future.

BLINK Magazine features the latest exhibitions and artists in the international spotlight.

“BLINK is a very important publication, beautifully designed and reproduced. A must for anyone following the current mood and trends in contemporary photography.”

- Miles Barth, Senior Specialist, Photographs at artnet Auctions

A Photo Editor - BLINK Magazine Interview

blinkmag — Wed, 8 Apr 2026 17:51:21 +0900

Blink magazine a labor of love by Korean native Kim Aram. The magazine features personal work by emerging, established and undiscovered photographers. Issue 5 has just been released.

Heidi: How do you select the images, do you choose a theme for each issue?

Kim: I trust myself. It’s simple, some work makes my heart beat really fast. I study it and ask myself: Are you going to spend $10,000 on this photograph? Even if I think I’d spend $1000, I would select it. That said, we don’t pay for any of the images. I try and make sure that the images don’t bore me, gathering work for Blink is like collecting art for a gallery of sorts. I do have one rule: I don’t accept commissioned work. I accept only personal work. When selecting work, a resume, a career, receiving awards doesn’t affect my choices. I sincerely love portraiture, I think the human being is the most interesting subject in this world. There are no themes for each issues. I actually considered it but thought that giving themes for each issues would put limitations on select artwork and there were already so many magazines doing that format with themes.

How many submissions would you say you turn down?
I turn down quite a few. It doesn’t mean that I don’t like their work. I just don’t want to be a lazy editor. I also have another rule, I promised by myself  to include one out of every 50 submissions for BLINK.  I try to pick just one or nothing among  the 50 It’s  just like non-objevtive promising. I can’t respond to  all of  the submissions. Please excuse me for that, I do respect all artists.

What in your eyes is the most exciting aspect of photography for you right now?
Everyone has camera now. It means everyone is able to take a photograph. It seems like it’s a fair chance for everyone to be creative. That said,  it’s that tiny little  thing which not easy to achieve to make your photograph different. That is exciting. Artists need to have their own eye and point of view for creating their own world.

Where can I find a copy of the magazine in the US? Or do I have to subscribe? Do you have a digital version as well?
We are working on an ipad version of BLINK, so I will start to publish a digital version of BLINK but I am still examining it thoroughly because I believe in the high value of a paper magazine. You can get your own copy on the website at www.blinkreflex.com We have a safe and fast paypal and can send anywhere in the world.
I am making a distribution list for other countries now. The problem is it’s very expensive to ship. We don’t have a lot of money or a big staff. I do ALL the publishing for BLINK. I do the design layout, select the artwork, contact the artists, direct exhibitions, promotion, business, publisher’s talks at galleries and the marketing. I did send the magazine to art fairs and galleries because I really would love to give BLINK to people so they can feel the paper in their hands, see it with their own eyes. I know if they just grab BLINK, their next move is falling love with BLINK. Some people promised me they would bring BLINK to their venues. I was so naive, after receiving magazines, they didn’t contact me. I was disappointed in them and disappointed in myself. I really need some people I can trust.

Before doing this project, what did you do for a living?
I worked as the art editor for an art magazine called  PHOTO+. The  publisher of the magazine was crazy about MONEY. He always talked about MONEY, MONEY. He probably still does, and he didn’t respect art or the artists. I thought I was a part of his magazine but he said it’s all  his own and I am just his robot. One day I finished all my work and I decided that it’s time to quit. I said to him “bye fucker.” Photographers, don’t send your work to them. Galleries and media in Korea are so miserable. They built their own art world which puts some distance between the public and art. Someone with money or professors come into power and the result is “boring!” They have to wake up. I am on a mission to build up brand awareness about BLINK. We support young talented artists who can’t have opportunity to show their work to the world because of boring professors and directors, galleries, magazines here.

Were you always involved photography somehow?
When I was kid, I always trusted that I was an artist. Being a photographer was high priority but I had to let it go for financial reasons. (here, being artist much worse than other countries.) I spent less time making my own artwork,  I spent more time appreciating  artwork by other people. I began writing about photography too, just some impressions about their work. I did this for free and  I kept the focus positive. Art is so much about personal taste and preference. I do think photography is like poetry and one image can speak over a thousand words. Just like the old saying. hahaha”

Do you shoot as well?
Yes, for fun. I take daily snaps which give me inspiration I use my Sony Ericson x1(mobilephone). Sometimes I do self-portraits year after year. If I have more time for myself, I will do my own photographic work but I would never be featured in BLINK. A lot of magazines make me sick. It looks like those magazines exist for their own photographer or art director’s work. MEDIA has to have huge responsibility to the public, there are so many swindlers out here. They have to give the media space to other talented artists and the public.

For your facebook and twitter feeds where is that content coming from? selected artists? fans? Do you feed those outlets in between issues with work you liked but did not select for the printed edition?
I don’t post anything about featuring artists for the next issue. It has to be a secret before being published. Sometimes I use Facebook to help me select an artist. I have so many friend requests from Facebook I am in a panic! I don’t use twitter to search for artists. I tweet information about BLINK and news of featured artists and other happenings in art world, or readers of BLINK. I tweet in Korean so would not be worth it to people who can’t read Korean. You can have a conversation with me about BLINK via direct message, I use that a lot or if you want to update news about BLINK, If you want, like BLINK on facebook at here or see it here

Where is your funding coming from since you have no advertising?
That is the biggest difficulty. I spent 15 years of my savings to create and publish BLINK. I am waiting for sponsors or advertisers. If I get over the break-even point with BLINK, I am going to bring down the price of the magazine or increase its circulation. Last month I recruited donations with Korean version of Kickstarter and I got one third of the cost for publishing ISSUE 5 covered. THANK YOU to all who donated! I was so grateful. You can still donate on the website.If you donate, I will put your name and your message on the bottom the website page. If you donate over $30 your name and message will be in the magazine as well as you will get the issue. I do offer space on BLINK for ads for a reasonable price. The most I would include is 10 pages advertisement for BLINK and I will be very discriminating about what advertising I accept. Artists and galleries can advertise and show their own work. I do send BLINK to galleries, collectors and artists of all over the world. I just gather what I love and show it to this world while kicking the boring daily routine out with great artists whom I love, support and take care of. I do this for one simple reason, the photographs make my eyes happy. BLINK is myself and I am BLINK.

What is the best way to submit work to you
Simple. It’s a two step process: First, see ‘Take a look inside of BLINK‘ videos and sample spreads of images on the website. (I make a video which shows the issue.) Second, ask yourself: “Is my work really harmonious with work of featured artists on those previous issues?” Not all work is right for BLINK. but that doesn’t mean that your work is not good or not perfect, it just not for BLINK. I can’t answer all the submissions, I don’t mean to be rude but it’s fairly impossible. Please contact me via email as well: editor.kim.aram@gmail.com

information about book
ISBN 978-89-965709-5-0

100 PAGES(8mm. both sides covers)

21X29.7CM

500 GRAMS

COLOR OFFSET

text of interviews with artists in english